Reference
Leather & thread database
Fourteen leathers and twelve threads, with the properties that actually change how they work: tannage, thickness, temper, wax and size. Sort by any column, open a row for detail, or compare up to three side by side.
Leather
| Name | Tannage | Thickness | Temper | Colour | Origin | Cost band | Actions |
|---|---|---|---|---|---|---|---|
| Veg-Tan Natural | Veg-Tan | 1.8 mm | Firm | Natural | Italy | $$ | |
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Veg-Tan Natural — Wallets, card holders and any piece that will be tooled or burnished. The default beginner leather. It takes dye and stamps well and burnishes to a hard, glossy edge. |
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| Veg-Tan Shoulder | Veg-Tan | 3.0 mm | Firm | Natural | USA | $$$ | |
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Veg-Tan Shoulder — Belts, straps and heavy bags that need to hold their shape. Dense and firm with a tight grain. Expect a long break-in and a very durable result. |
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| Veg-Tan Double Butt | Veg-Tan | 3.6 mm | Firm | Tan | USA | $$$ | |
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Veg-Tan Double Butt — Heavy belts, harness work and saddle parts. Cut from the thickest part of the hide, so the fibres are dense and the temper is stiff. |
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| Veg-Tan Skiver | Veg-Tan | 1.0 mm | Medium | Natural | Italy | $$ | |
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Veg-Tan Skiver — Linings, pockets and folded edges where bulk must stay low. A thin, even split that glues down flat. Useful for lining wallets without adding thickness. |
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| Veg-Tan Tooling | Veg-Tan | 2.4 mm | Firm | Natural | UK | $$ | |
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Veg-Tan Tooling — Carved and stamped panels such as notebook covers and sheaths. Cased and stamped cleanly with a crisp impression. Keeps the tooling sharp after drying. |
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| Veg-Tan Chestnut | Veg-Tan | 2.0 mm | Medium | Chestnut | Italy | $$ | |
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Veg-Tan Chestnut — Bags, satchels and straps that want a warm pre-dyed tone. Factory dyed through the thickness, so cut edges stay coloured and need less finishing. |
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| Chrome-Tan Calf | Chrome-Tan | 1.2 mm | Soft | Black | Italy | $$ | |
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Chrome-Tan Calf — Wallets, small goods and linings that must feel supple. Smooth, fine grained and pliable. Will not burnish, so finish edges with paint instead. |
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| Chrome-Tan Garment | Chrome-Tan | 0.9 mm | Very Soft | Brown | India | $ | |
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Chrome-Tan Garment — Garments, soft pouches and lightweight linings. Drapes like cloth and takes a machine stitch well. Too soft for structural work. |
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| Chrome-Tan Upholstery | Chrome-Tan | 1.6 mm | Medium | Brown | China | $ | |
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Chrome-Tan Upholstery — Bag panels, covers and practice pieces where cost matters. An economical all-round chrome-tan with a slightly embossed grain. Good for first projects. |
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| Chrome-Tan Goat | Chrome-Tan | 0.8 mm | Soft | Grey | France | $$ | |
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Chrome-Tan Goat — Lining fine goods and small folded pieces. Thin, strong and lightly grained. Excellent as a lining where weight must stay minimal. |
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| Chrome-Tan Black | Chrome-Tan | 1.4 mm | Medium | Black | Turkey | $ | |
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Chrome-Tan Black — Everyday bags, straps and covers in a plain black finish. Even colour with a matte surface. Holds shape better than garment leather. |
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| Oil-Tan Pull-Up | Oil-Tan | 2.0 mm | Soft | Tan | USA | $$ | |
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Oil-Tan Pull-Up — Belts, bags and straps where a patina is wanted. Oils move under the surface and lighten where the leather bends, giving a lived-in look. |
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| Oil-Tan Crazy Horse | Oil-Tan | 1.8 mm | Medium | Brown | Italy | $$$ | |
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Oil-Tan Crazy Horse — Boots, bags and rustic goods that should age with use. A waxy pull-up with a heavily distressed look. Scratches rub out with a little warmth. |
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| Oil-Tan Field | Oil-Tan | 2.4 mm | Medium | Brown | Germany | $$ | |
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Oil-Tan Field — Work belts, tool rolls and outdoor gear. Tough and water resistant from the oil content. Stiff at first, then softens with wear. |
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Thread
| Name | Material | Size | Wax | Length | Colour | Cost band | Actions |
|---|---|---|---|---|---|---|---|
| Waxed Linen Natural 0.6 mm | Linen | 0.6 mm | Beeswax | 25 m | Natural | $ | |
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Waxed Linen Natural 0.6 mm — General hand stitching on wallets, belts and bags. The classic saddle stitch thread. It swells slightly with wax and fills the hole neatly. |
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| Waxed Linen Black 0.8 mm | Linen | 0.8 mm | Beeswax | 25 m | Black | $$ | |
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Waxed Linen Black 0.8 mm — Heavy straps and belts where a bold seam is wanted. A thicker linen for large stitches. Use it with a 5 mm chisel so the seam stays balanced. |
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| Waxed Linen Brown 0.5 mm | Linen | 0.5 mm | Pre-waxed | 50 m | Brown | $ | |
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Waxed Linen Brown 0.5 mm — Fine wallet work and small goods with a tight pitch. A fine linen that suits a 3 mm chisel. Brown blends well with tan and chestnut leather. |
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| Waxed Linen Ecru 0.7 mm | Linen | 0.7 mm | Beeswax | 25 m | Ecru | $$ | |
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Waxed Linen Ecru 0.7 mm — Mid-weight bags and covers with a natural contrast seam. Ecru gives a soft contrast against natural veg-tan without the harshness of white. |
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| Waxed Linen Red 0.6 mm | Linen | 0.6 mm | Beeswax | 25 m | Red | $$ | |
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Waxed Linen Red 0.6 mm — Decorative seams on black and natural leather. A deliberate contrast colour. Keep the stitch line straight, since any wobble will show. |
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| Polyester White 0.5 mm | Polyester | 0.5 mm | Unwaxed | 100 m | White | $ | |
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Polyester White 0.5 mm — High contrast seams and machine-assisted work. Strong and rot resistant. Wax it yourself before hand stitching so it grips in the hole. |
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| Polyester Black 0.4 mm | Polyester | 0.4 mm | Unwaxed | 100 m | Black | $ | |
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Polyester Black 0.4 mm — Fine work and small goods with a discreet seam. Very fine and smooth. Best with a 3 mm chisel and a slim needle. |
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| Polyester Tan 0.6 mm | Polyester | 0.6 mm | Paraffin blend | 50 m | Tan | $$ | |
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Polyester Tan 0.6 mm — Outdoor gear and straps that may get wet. The paraffin blend resists moisture better than beeswax. Good for field gear. |
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| Polyester Grey 0.5 mm | Polyester | 0.5 mm | Unwaxed | 100 m | Grey | $ | |
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Polyester Grey 0.5 mm — Neutral seams on chrome-tan and grey-toned leather. A quiet colour that disappears on mid-tones. Strong enough for load-bearing seams. |
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| Nylon Black 0.6 mm | Nylon | 0.6 mm | Pre-waxed | 30 m | Black | $$ | |
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Nylon Black 0.6 mm — Bags, straps and anything that will be handled hard. Nylon is the strongest of the three fibres and has a little stretch, which helps it lock. |
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| Nylon Natural 0.5 mm | Nylon | 0.5 mm | Pre-waxed | 30 m | Natural | $$ | |
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Nylon Natural 0.5 mm — Everyday wallets and small goods. A good all-round nylon. The stretch means you should not pull the seam too tight. |
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| Nylon Brown 0.8 mm | Nylon | 0.8 mm | Pre-waxed | 30 m | Brown | $$$ | |
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Nylon Brown 0.8 mm — Heavy belts and horse tack where strength is critical. A thick, tough nylon for large stitches. Pair it with a 5 mm chisel and a heavy needle. |
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How to read this
Tannage decides almost everything else. Vegetable-tanned leather takes tooling, dye and burnishing beautifully and is the default for anything carved or moulded. Chrome-tanned is softer, more uniform and more water-resistant, which suits bags and linings. Oil-tanned sits between the two and is the traditional choice for straps and anything that will be pulled on.
Temper is the stiffness of the hide. Firm leather holds a shape; soft leather drapes. A wallet wants firm, a bag wants soft.
Cost bands
Cost bands are relative, not prices: $ is the cheapest workable option, $$$ is the most expensive. This site sells nothing, so nothing here is quoted in currency — the band only tells you where a material sits relative to the others.
Sourcing. Ask your supplier where the hide came from and how it was tanned. Leather is a by-product, but that is not a licence to ignore welfare or the environmental cost of the tannery.
Educational use only. Hide & Stitch is an independent, non-commercial reference. Nothing here is for sale and nothing here is a substitute for competent in-person instruction. Edged tools, dyes, solvents and adhesives can cause serious injury — read and follow the manufacturer instructions and safety data sheets, and work with ventilation and appropriate protection. Material data is representative of common products and varies between suppliers and batches.